Monday, April 28, 2014

Why are vampires erotic?


Why are vampires erotic?

For those who are not true vampire aficionados, this may seem like an odd question. We forget that most people view vampires as nothing more than ungodly creatures of the night that live off of the blood of humans. For nearly a century, the undead have been portrayed as monsters, beginning with Max Schreck’s portrayal of Nosferatu with its rat-like visage and continuing today with the pack of hunters from Steve Niles’ 30 Days of Night or the monstrous deformities of Guillermo del Toro’s/Chuck Hogan’s The Strain trilogy. However, purely evil vampires make up only a small portion of the genre. True fans know that most of the undead have an erotic and sensual quality about them.

I’m not talking about the overt sexuality of the scantily-clad, buxomy female vampires like Vampirella and Bloodrayne. I’m referring to that underlying eroticism of the male actors who have sunk their fangs into the role. Bela Lugosi set the standard for the undead when he portrayed Dracula, both on stage and screen, as an outwardly appearing aristocrat who used seduction to feed. Since then, numerous actors have tapped that vein of lust and sin when portraying the undead, from the sympathy engendered by the remorseful vampires Lestat and Angel to the blatant sexuality of Frank Langella and Gary Oldman. Even Christopher Lee, whose portrayal of Dracula for Hammer Studios is one of the most menacing vampires on screen, turned his female victims with consensually forced sadism.

The idea of vampirism being synonymous with eroticism is not new to the genre. When Bram Stoker published Dracula in 1897, it is widely assessed that the Count symbolized the negative aspects of repressed sexuality within Victorian society. [Author’s Note: I realize I could write a book onDracula symbolism. Academics have interpreted the Count as representing the male fear of progressive women, the Freudian Id, and homosexuality. A few have even viewed him as an indictment of such political evils as capitalism or colonialism. I am more than happy to debate this in the comments section, but for the purposes of this piece, let’s agree that Dracula is symbolic of repressed sexuality.] However, as generations have passed, the eroticism has become more lurid, switching from a tantalizing moment within the realm of horror to an underlying current. Compare the brides of Dracula creepy seduction of Dwight Frye in 1932 to the soft porn version with Keanu Reeves in 1992. Whereas prior to Anne Rice every novel that dealt with the undead would portray them as monsters and be categorized under horror, now there is an entire genre based on vampires as romantic characters. True Blood has taken Charlaine Harris’ paranormal romance series and imbued it with a sensuality that has made the HBO production the most popular vampire drama on television. The storyline in Season Six when Eric Northman seduces Willa Burrell, the governor’s daughter, into wanting to become a vampire is as erotic as any scene from a love story, with the tuning substituting for sex.

It’s no coincidence that society’s increasing openness and acceptance of sex has been accompanied by an increase in the sensuality of vampires and the popularity of paranormal romances. Vampires generate a feeling of eroticism with the public because they represent our basest psychological urge. Vampires are us once our moral and psychological constraints have been removed and we can give free reign to the lust, violence, and narcissism buried deep in our psyches. Their sexuality is not inhibited by social or religious norms. Their good looks and vitality are immortal. Their appeal to the opposite sex is legendary. For many people, being a vampire, or being turned by one, is a fetish or fantasy they would willingly indulge.

So the next time you’re watching a vampire movie or reading a paranormal romance and you feel a tingle that’s not in your neck, don’t feel guilty. There’s nothing wrong with you. You’re just letting your desires run wild.

Article by:

Scott M. Baker, author of Rotter World and The Vampire Hunters trilogy

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