Film
news (UK): Film4 FrightFest serves up a fearsome feast with a record 76 films,
embracing 20 world and 42 UK & European premieres
Bigger, bolder, bloodier…Film4 FrightFest 2015 marks its 16th year
with its largest line-up ever. From Thurs 27 August to Mon 31
August, the UK’s leading event for genre fans will return to the Vue West
End, Leicester Square to present seventy-six films across five screens,
plus a host of special events. There are eighteen countries representing five
continents with a record-breaking sixteen European premieres and twenty-six UK
premieres. In addition, there is a further ‘Discovery’ strand at The Prince
Charles Cinema, signalling a welcome return to FrightFest’s spiritual home.
FrightFest always takes great pride in platforming the
brightest British and Irish talent and 2015 is an outstanding year. Apart from
opening with David Keating’s CHERRY TREE, there is the world premiere
of Steve Oram’s hilarious and very disturbing AAAAAAAAH!, Dominic
Brunt’s sharp-edged female revenge saga BAIT, Ben and Chris Blaine’s
sexually charged zom-rom-com NINA FOREVER, Mark Murphy’s tale of twisted
minds, AWAITING, Paul Hyett’s much-anticipated HOWL, Adam
Levins’ sinister family drama ESTRANGED, Howard J. Ford’s pulsating
child-abduction thriller NEVER LET GO, Corin Hardy’s Sundance
sensation THE HALLOW, Ruth Platt’s morally-challenging chiller THE
LESSON, Liam Regan’s gruesome revenge saga BANJO, Eugene McGing’s
supernatural haunter THE UNFOLDING and finally AFTERDEATH, a
hellish thriller by new directors Gez Medinger and Robin Schmidt.
Nina
Forever
The Main screens shine brightly with a vivid, stellar mix of the
monstrous, the macabre and the must-see. Apart from our closing anthology TALES
OF HALLOWEEN and our ‘gorious’ festive attraction A CHRISTMAS HORROR
STORY, there is Iain Softley’s cleverly vicious CURVE, Bernard Rose’s
stylishly affectingFRANKENSTEIN, Adrian Garcia Bogliano’s masterpiece SCHERZO DIABOLICO,
Abner Pastoll’s derangedROAD GAMES, Alistair Legrand’s genre-bending
shocker THE DIABOLICAL, Ted Geoghegan’s well-received ghost story WE
ARE STILL HERE, Adam Schindler’s agoraphobic SHUT IN, Francois Simard,
Anouk Whissell & Yoann-Karl Whissell’s post-apocalyptic romp TURBO KID,
Bruce McDonald’s Halloween horror HELLIONS and Levan Bakhia’s
explosive LANDMINE GOES CLICK. Plus, the Israeli Paz Brothers put the grim
in pilgrimage with JERUZALEM, director Adam Egypt Mortimer gives us his
cutting-edge “feminist slasher movie” SOME KIND OF HATE, first-time director
Eric Hannezo gives us his version of RABID DOGS, STUNG lets loose a
battalion of giant wasps and Australian director Ursula Dabrowsky
bring us her highly unusual shocker INNER DEMON. Completing the main
screen mayhem is splatstick psycho-thriller DEATHGASM, suburban
shocker SLUMLORD,the brilliantly unnerving EMELIE, the stark,
gore-filled NIGHT FARE and JAMES WAN’S DEMONIC.
The
Nightmare
Embracing the ever-burgeoning independent arena, this year’s increased
number of films in the Discovery Screens illustrates the growing global
investment in the genre. From Australia and France, Mexico and Russia,
Argentina and Peru, FrightFest showcases the most electrifying examples,
including world premieres for Jaron Henrie-McCrea’s CURTAIN, Russell
Friedenberg’s WIND WALKERS, Padraig Reynolds’ WORRY DOLLS and
Benjamin Moody’s LAST GIRL STANDING. There are European premieres for Ben
Cresciman’s SUN CHOKE, Kyle Rankin’s NIGHT OF THE LIVING DEB,
Valentin Javier Diment’s THE ROTTEN LINK, John Fallon’s THE
SHELTER, Adam Mason’s HANGMAN and Brian James O’Connell’s BLOODSUCKING
BASTARDS. UK premieres score highly too with Mickey Keating’s POD,
Perry Blackshear’s THEY LOOK LIKE PEOPLE, John Knautz’s GODDESS OF
LOVE, Anthony DiBlasi’s MOST LIKELY TO DIE, Alberto Marini’s SUMMER
CAMP, Rodney Ascher’s THE NIGHTMARE, Zak Hilditch’s THESE FINAL HOURS,
Pavel Khaleev’s III, April Mullen’sFARHOPE TOWER, Jeffrey
Lando’s SUSPENSION, Isaac Gabaeff’s monster mash-up THE SAND, Eduardo
Schuldt’s Peruvian horror THE ENTITY, Tyler Shields’ feature film
debut FINAL GIRL 14 year-old French director Nathan
Ambrosioni’s HOSTILE, Takashi Miike’s OVER YOUR DEAD BODY, David
Gelb’s THE LAZARUS EFFECT, Dan Berk & Robert Olsen’s BODY, Isabel
Coixet’s ANOTHER ME, Chad Archibald’s BITE, Joe Chien’sZOMBIE FIGHT
CLUB, and Josh Forbes’ CONTRACTED: PHASE II. There is also a special
screening for Paul Goodwin’s FUTURE SHOCK! THE STORY OF 2000AD. This
selection is bound to cause much heated debate and ecstatic discussion.
Emelie
If
the Discovery Screen Strand has increased in popularity, so has the
Retrospective selection. This year audiences will be able to discover an
eclectic programme straddling grindhouse to art-house with brand new
restorations of the classic HELLRAISER, the giallo masterpiece YOUR
VICE IS A LOCKED ROOM AND ONLY I HAVE THE KEY, the exploitation duo MADMAN and THE
MUTILATOR, the cult Hammer Horror CAPTAIN KRONOS: VAMPIRE HUNTER, the high
camp HAWK THE SLAYER and the high-end horrors TENDERNESS OF THE
WOLVES and THE REFLECTING SKIN.
Plus
the Duke Mitchell Film Club is back with a rare screening of REMAKE,
REMIX, RIP-OFF a crazy experience of the golden years of Turkish cinema,
where demand was high, technical know-how low and copyright law non-existent!
And the popular Duke @ Frightfest Film party is back too
This
year’s other special events, the growing guest list and the expanded Short Film
Showcase entries will be announced in the coming weeks. .
Alan
Jones, Festival co-director, said today: “It is with great pride that we
announce the line-up for the UK’s biggest, best and most renowned genre
festival which is now a globally recognised brand. Our sixteenth year sees yet
another enhancement of its core mission to bring the finest in home grown and
international fear to the dark heart of London’s West End.
Embracing
everything outstanding about the horror fantasy genre, whether it be from
mainstream mayhem or director’s daydream to quirky independents and major
talent detection, the Temple of Terror that is Film4 FrightFest returns with a
vengeance to the flagship Vue Cinema in London’s Leicester Square”.
Julia
Wrigley, Head of Film4 Channel, added: ““The relationship with FrightFest
is extremely important to Film4 – the channel has always been committed to
bringing our audience the very best in horror, so joining forces with such a
major genre event keeps us connected to the fans and filmmakers who generate
all the excitement. We try to capture that in our annual FrightFest season and
weekly Saturday Night Shocks strand, but it’s what the team create in
a festival setting that keeps us coming back as title sponsors. This year we’re
thrilled to be a part of the weekend itself thanks to a new Channel 4/Film4
short-film scheme and to be starting what we hope will be an ongoing debate
with our new website feature bringing together the best horror films of the
century so far, voted on by a panel of experts. Ultimately, FrightFest is
always a huge inspiration whenever we think about horror at Film4.”
Festival
and day pass sales will go on sale Sat 4 July at noon and will only
be available online at: https://live.advancedticketing.co.uk/k?v=frightfest
Single
tickets will go on sale on Sat 25 July.
A
festival pass will cost £185. Day passes are: Thursday £30, Friday &
Saturday £60, Sunday & Monday £50. Single tickets will be £13.25.
Screens
5, 6 & 7 will house the main event while the Discovery strands will play in
Screens 3 & 8. The Discovery at The Prince Charles cinema strand will
be in Screen 1.
For
full programme details go to: www.frightfest.co.uk
Follow: @film4frightfest @cloutcomcouk
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