"Horror
cinema flourishes in times of ideological crisis and national trauma--the Great
Depression, the Cold War, the Vietnam era, post-9/11; this book argues that a
succession of filmmakers working in horror--from James Whale to Sylvia
Soska--have used the genre, and the shock value it affords, to challenge the
status quo during these times. Spanning the decades from the 1930s onwards this
critical text examines the work of producers and directors as varied as George
A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian
Yuzna--and the ways in which films like Frankenstein (1931), Cat People (1942),
The Woman (2011) and American Mary (2012) can be considered
"subversive."
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your copy today at:
About
the author:
Jon Towlson has written for Starburst Magazine, Paracinema, Exquisite Terror, Irish Journal of Gothic and Horror Studies, Shadowland Magazine, Bright Lights Film Journal, and Digital FilmMaker.
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